Jennifer is a graduate of Cambridge University and RWCMD’s MA Opera Performance course, where she was a Leverhulme Scholar and winner of the Jo and Martin Furber Prize for Opera. Recent projects include her critically acclaimed Opera North debut as Flora / The Turn of the Screw, Gretel in Hansel and Gretel: Whistlestop Opera (Opera North) and cover Anne Egerman in A Little Night Music (Opera North and Leeds Playhouse.)
Current projects
G&S / The Mikado
19th - 23rd September 2023 The Arcola Theatre, London (Pip Bow / cover Miss Plum) |
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Reviews
"There are also superb performances from...Jennifer Clark as Barbarina" - Music OMH (Le Nozze di Figaro, West Green House Opera, 2022)
"...Jennifer Clark silver-voiced as Gretel...energetic and communicative" - The Reviews Hub (Hansel and Gretel: Whistlestop Opera, Opera North, 2020)
"...Jennifer Clark's excellent portrayal" - The Times (The Turn of the Screw, Opera North, 2020)
"Jennifer Clark fields a sparky Bacchis" - The Stage (La Belle Hélène, Opera della Luna / New Sussex Opera, 2019)
"...outstanding" - Lark Reviews (La Belle Hélène, Opera della Luna / New Sussex Opera, 2019)
"Jennifer Clark's precise, self-assured Flora" – The Stage (The Turn of the Screw, Bury Court Opera, 2019)
"...highly pleasing" – musicOMH (The Turn of the Screw, Bury Court Opera, 2019)
"...pure lineal magic" – Louise Flind, The Argus (King Arthur, New Sussex Opera, 2016)
"...Jennifer Clark silver-voiced as Gretel...energetic and communicative" - The Reviews Hub (Hansel and Gretel: Whistlestop Opera, Opera North, 2020)
"...Jennifer Clark's excellent portrayal" - The Times (The Turn of the Screw, Opera North, 2020)
"Jennifer Clark fields a sparky Bacchis" - The Stage (La Belle Hélène, Opera della Luna / New Sussex Opera, 2019)
"...outstanding" - Lark Reviews (La Belle Hélène, Opera della Luna / New Sussex Opera, 2019)
"Jennifer Clark's precise, self-assured Flora" – The Stage (The Turn of the Screw, Bury Court Opera, 2019)
"...highly pleasing" – musicOMH (The Turn of the Screw, Bury Court Opera, 2019)
"...pure lineal magic" – Louise Flind, The Argus (King Arthur, New Sussex Opera, 2016)