News
"...#OperaHarmony has brought together 19 groups, set to release exciting micro-operitas from May via YouTube, reflecting how creativity can still flourish in these uncertain times. Singers including international sopranos Anne-Sophie Duprels, Rebecca Bottone and Jennifer Clark and bass-baritone Cody Quattlebaum have joined forces with the likes of directors Mary Birnbaum and Candace Evans and composers Ken Steen and Joel Rust to bring to life this incredible idea from Ella Marchment.
- TheatreNews.com
- TheatreNews.com
Reviews
"There are also superb performances from Jeni Bern as Marcellina, Trevor Eliot Bowes as Dr Bartolo, Rhodri Prys Jones as Don Basilio (and Don Curzio), Jennifer Clark as Barbarina and Mark Saberton as Antonio, who reprises his role from 2015."
- MusicOMH (Le Nozze di Figaro, West Green House Opera, 2022)
"...Jennifer Clark silver-voiced as Gretel....The rough and tumble that goes along with the magic in Humperdinck's opera is severely reduced by distancing and the lack of a set, but so energetic and communicative are Clark and Kelly-McInroy that one hardly notices."
- The Reviews Hub (Hansel and Gretel: Whistlestop Opera, Opera North, 2020)
"...the director is inviting us to consider what recurring terrors and corrupting memories are locked inside the heads of Miles and his sister, Flora, who looks well past the age of innocence in Jennifer Clark's excellent portrayal."
- The Times (The Turn of the Screw, Opera North, 2020)
"Jennifer Clark fields a sparky Bacchis"
- The Stage (La Belle Hélène, November 2019)
"Jennifer Clark is outstanding as Bacchis"
- Lark Reviews (La Belle Hélène, November 2019)
"Jennifer Clark's precise, self-assured Flora"
– The Stage (The Turn of the Screw, March 2019)
"highly pleasing"
– musicOMH (The Turn of the Screw, March 2019)
"Jennifer Clark as Flora has a fine soprano voice and judges the difficult task of playing a child well and with style"
– Plays To See (The Turn of the Screw, March 2019)
"Jennifer Clark as Cupid and Venus stole the show vocally and her rendition of Fairest Isle was pure lineal magic"
– Louise Flind, The Argus (King Arthur, 2016)
"Gretel was a charming and extremely youthful-looking Jennifer Clark with a lovely soprano voice that was perfectly balanced with Dreese's cheeky acting and strong mezzo"
– Walesonline.com (Hansel and Gretel, 2015)
- MusicOMH (Le Nozze di Figaro, West Green House Opera, 2022)
"...Jennifer Clark silver-voiced as Gretel....The rough and tumble that goes along with the magic in Humperdinck's opera is severely reduced by distancing and the lack of a set, but so energetic and communicative are Clark and Kelly-McInroy that one hardly notices."
- The Reviews Hub (Hansel and Gretel: Whistlestop Opera, Opera North, 2020)
"...the director is inviting us to consider what recurring terrors and corrupting memories are locked inside the heads of Miles and his sister, Flora, who looks well past the age of innocence in Jennifer Clark's excellent portrayal."
- The Times (The Turn of the Screw, Opera North, 2020)
"Jennifer Clark fields a sparky Bacchis"
- The Stage (La Belle Hélène, November 2019)
"Jennifer Clark is outstanding as Bacchis"
- Lark Reviews (La Belle Hélène, November 2019)
"Jennifer Clark's precise, self-assured Flora"
– The Stage (The Turn of the Screw, March 2019)
"highly pleasing"
– musicOMH (The Turn of the Screw, March 2019)
"Jennifer Clark as Flora has a fine soprano voice and judges the difficult task of playing a child well and with style"
– Plays To See (The Turn of the Screw, March 2019)
"Jennifer Clark as Cupid and Venus stole the show vocally and her rendition of Fairest Isle was pure lineal magic"
– Louise Flind, The Argus (King Arthur, 2016)
"Gretel was a charming and extremely youthful-looking Jennifer Clark with a lovely soprano voice that was perfectly balanced with Dreese's cheeky acting and strong mezzo"
– Walesonline.com (Hansel and Gretel, 2015)